The On-Stage MSA9505 Posi-Lok Telescoping Microphone Mini-Boom generally works well with standard mic stands, but there's a bit to keep in mind.

It's pretty versatile and compact, making it a good option if you're tight on space. It also adjusts from 9 to 16 inches in reach and includes a Posi-Lok clutch to keep your mic steady, as the manufacturer describes.

One thing to note, though, is that it doesn't come with a built-in counterweight. This usually isn't an issue unless you're using heavier mics. In that case, things could get a little unsteady or the arm might droop, especially when extended fully. Some folks have mentioned these issues in our research.

If you're working with heavier microphones or need extra stability, you might need to improvise a bit. You could try adding some weights or use other support tricks to keep it balanced.

It's a popular choice due to its solid build and adaptability, and many find it easy to use.

But if you think the lack of a counterweight might be a dealbreaker for your setup, it might be worth looking into other options that offer better counterbalance.

Overall, it's a reliable piece, just be ready to tinker a bit depending on what mics you're using and your setup conditions.

Hey! So, if you're thinking about the On-Stage MSA9505 mini-boom for heavier microphones, it's worth noting a few things.

Our research shows that it does fine for typical setups, but when it comes to handling heavier mics—especially in horizontal or side-address positions—it might struggle a bit. The Posi-Lok system does a nice job of keeping the joints tight, but the telescoping arm can sometimes sag or rotate if the load is unbalanced.

For front-facing and balanced mics, this mini-boom generally holds up well. People seem to like the Posi-Lok system because it helps prevent joint slipping, and the ergonomic knob makes adjusting the boom's angle pretty easy.

But if you're working with heavier mics or need extra stability, you might want to check out other options. Some booms out there come with reinforced locking or fixed arms, which can be more stable.

The construction quality, like around the welds, also seems to come up in our research as something to consider for durability and load capacity.

In short, if your gear is mostly light and balanced, the MSA9505 might suit you just fine. But if you've got heavier mics, especially ones that are top-heavy or side-address, a boom designed specifically for those conditions would probably be a safer bet.

The On-Stage MSA9505 Posi-Lok Telescoping Microphone Mini-Boom is pretty handy when you need adjustable mic positioning. It's got a solid Posi-Lok clutch mechanism that keeps things tight and secure, so it's great for musicians and audio pros who need their mics to stay put.

This mini-boom can extend from 9 inches to 16 inches, according to the manufacturer's description, giving you some decent flexibility for different setups. There’s an ergonomic knob too, which makes adjusting the angle pretty quick and straightforward, locking everything in nicely.

Our research did find a few folks mentioning some slip issues, especially if the boom is extended quite far or if it's holding a heavier mic. But these usually seem to be down to not having everything set up just right rather than a fault with the boom itself.

Making sure everything is tightened well and the weight is balanced can help avoid this kind of slippage. For anyone using heavier mics or fully stretching the boom, it's a good idea to focus on setting it up solidly.

Despite these occasional slip mentions, feedback generally gives the MSA9505 high marks for being sturdy and adaptable. Overall, it's a popular choice for those needing dependable mic placement in various environments, from studio sessions to live performances.