The Piltdown Man section in Mike Oldfield's album "Tubular Bells" is a fascinating and surprising part of the music. It's named after the unexpected, almost primal vocal outburst performed by Oldfield himself. This part stands out quite a bit, considering the album is largely known for its instrumental depth and complexity.

Oldfield put together "Tubular Bells" by playing almost every instrument himself, weaving together a rich tapestry of sounds. According to the manufacturer’s description, the album was a groundbreaking achievement and marked new beginnings for both Oldfield and Virgin Records.

The Piltdown Man section itself showcases Oldfield's experimental approach. He incorporated gruff, humorous vocals that break away from the album’s primarily instrumental nature. This makes it feel avant-garde and adds an element of playfulness to the music.

Performing "Tubular Bells" live was no small feat, given its complexity. When Oldfield brought it to live audiences, it required meticulous coordination among musicians and sometimes whole orchestras. Our research indicates these performances were notable events in themselves, capturing the album’s essence even with the challenges of live execution.

A perfect example of the album being adapted for live settings is the Royal Philharmonic Orchestra's 50th Anniversary Celebration.

These live versions may not replicate every sound from the album, but they certainly convey its artistic spirit and technical skill.

In a nutshell, the Piltdown Man section adds a quirky human touch to "Tubular Bells," highlighting Oldfield's willingness to experiment. It's just one piece of a larger work that has fascinated listeners both through recordings and live interpretations.